![]() ![]() Music in western civilization Autocrop_version 0.0.12_books-20220331-0.2 Bookplateleaf 0004 Boxid IA40450919 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier II: Music in the Age of Enlightenment: Opera - Music in the Age of Enlightenment: Orchestral Music - Music in the Age of Enlightenment: Keyboard Music - Classical Music in Vienna - Joseph Haydn: Instrumental Music - Joseph Haydn: Late Symphonies and Vocal Music - Wolfgang Amadeus Mozart: Instrumental Music - Wolfgang Amadeus Mozart: Vocal Music - The Early Music of Beethoven - Beethoven's Middle Period: 1802-1814 - After the Congress of Vienna: Beethoven's Late Music - Franz Schubert - Music in Paris Under Louis Philippe: Berlioz and Chopin - Leipzig and the Gewandhaus: Mendelssohn and the Schumanns - German Opera in the Nineteenth Century: Weber and Wagner - Opera in Italy: Rossini and Verdi - Nationalism and Virtuosity: Franz Liszt - Vienna in the Late Nineteenth Century: Brahms and Bruckner - Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky - Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler - England at the End of the Romantic Period: Elgar and Vaughan Williams - Opera in Milan After Verdi: Puccini, Toscanini, and Verismo - Paris of the Belle Epoque: Debussy, Fauré, and Lili Boulanger - Richard Strauss in Berlin - Music in Russian During the Silver Age: Igor Stravinsky - Atonality: Schoenberg and Scriabin - French Music at the Time of World War I: Ravel and Satie - Music in Paris After World War I: Stravinsky and the Six - Vienna in the Aftermath of War: Twelve-Tone Methods - Musical Theater in Germany in the 1920's: Berg and Weill - Béla Bartók and Hungarian Folk Music - Early Jazz - Paul Hindemith and Music in Nazi Germany - Music in Soviet Russia: Prokofiev and Shostakovich - Self-Reliance in American Music: Ives, Seeger, and Nancarrow - American Composers Return from Europe: Copland and Barber - Tin Pan Alley and the Broadway Musical - Reflections on War: Britten, Penderecki, and Others - Twelve-Tone Music and Serialism After World War II - Alternatives to Serialism: Chance, Electronics, Textures - Harlem in the 1930s, 1940s, and 1950s: Big Bands, Bebop, and Cool Jazz - Music of the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations - Returning to the Known: Music of the Recent PastĪccess-restricted-item true Addeddate 17:11:18 Associated-names Roden, Timothy James Wright, Craig M Simms, Bryan R Wright, Craig M. ![]() Gall and Guido of Arezzo - Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen - Troubadours and Trouvères - Early Polyphony - Music in Medieval Paris: Polyphony at Notre Dame - Inside the Cathedral Close and University: Conductus and Motet - In the Parisian Master's Study: Music Theory of the Ars Antiqua and Ars Nova - Music at the Court of the French Kings: The Ars Nova - Fourteenth-Century Music in Reims: Guillaume de Machaut - Avignon, Symbolic Scores, and the Ars Subtilior - Music in Florence, 1350-1425 - Music at the Cathedral of Florence - Music in England - Music at the Court of Burgundy - Music at the French Royal Court - Music in the Low Countries - Popular Music in Florence, 1470-1540: Carnival Song and Lauda, Frottola, and Early Madrigal - Josquin Desprez and Music in Ferrara - Music in Renaissance Paris - Renaissance Instruments and Instrumental Music - Music in Three German Cities: The Protestant-Catholic Confrontation - Rome and the Music of the Counter-Reformation - Music in Elizabethan England, Part I: Early Vocal Music - Music in Elizabethan England, Part II: Later Vocal Music and Instrumental Music - The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi - Early Baroque Music - The Birth of Opera: Florence, Mantua, and Venice - The Concerted Style in Venice and Dresden - Religious Music in Baroque Rome - Instrumental Music in Italy - Instrumental Music in Germany and Austria - Music in Paris and at the Court of Versailles: Vocal Music - Music in Paris and at the Court of Versailles: Instrumental Music - Music in London, Part I: Henry Purcell - Music in London, Part II: George Frideric Handel - Johann Sebastian Bach: Instrumental Music in Weimar and Cöthen - Johann Sebastian Bach: Vocal Music in Leipzig 1: Music in Ancient Greece - Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World - Chant in the Monastery and Convent - Music Theory in the Monastery: John of St. ![]() Scores to accompany Music In Western Civilization ![]()
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